The Dramatization of Cultural Hybridity and the ``In-Between{''} Turkey
in Fazil's Kunye

dc.contributor.author	Cakirtas, Onder
dc.date.accessioned	2021-04-02T12:03:31Z
dc.date.available	2021-04-02T12:03:31Z
dc.date.issued	2017
dc.identifier	10.7771/1481-4374.2849
dc.identifier.issn	1481-4374
dc.identifier.uri	http://acikerisim.bingol.edu.tr/handle/20.500.12898/2497
dc.description.abstract	In his article ``The Dramatization of Cultural Hybridity and the ``In-Between{''} Turkey in Fazil's Kunye{''} Onder Cakirtas addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Cakirtas discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Kunye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of `introduction to Westernization' and `departure from Islamic past' in a period of the national shaping of modern Turkey.
dc.language.iso	English
dc.source	CLCWEB-COMPARATIVE LITERATURE AND CULTURE
dc.title	The Dramatization of Cultural Hybridity and the ``In-Between{''} Turkey in Fazil's Kunye
dc.type	Article

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